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Godzilla (2014)

Godzilla (2014) Wo kann man diesen Film schauen?

Im Godzilla-Reboot bedroht nicht nur die japanische Riesenechse Godzilla die Erde. Das Militär unter wissenschaftlicher Führung von Dr. Ichiro Serizawa bewacht einen riesigen Kokon, der eine böse Überraschung bereit hält - einen gewaltigen. Godzilla ist ein US-amerikanischer Monsterfilm des Regisseurs Gareth Edwards aus dem Jahr In der Hauptrolle spielt Aaron Taylor-Johnson, in weiteren. Godzilla ein Film von Gareth Edwards (V) mit Aaron Taylor-Johnson, Bryan Cranston. Inhaltsangabe: Bei Bohrungen auf den Philippinen werden. Ja, wir wollen nochmal Godzilla sehen! Vor allem, wenn das Versprechen lautet, dass die Neuverfilmung durch Gareth Edwards (Monsters). Godzilla () [dt./OV]. (1,)2h 3minX-Ray In diesem spektakulären Abenteuer muss Godzilla, das weltberühmte Monster, gegen zwei Kreaturen.

godzilla (2014)

Godzilla ein Film von Gareth Edwards (V) mit Aaron Taylor-Johnson, Bryan Cranston. Inhaltsangabe: Bei Bohrungen auf den Philippinen werden. Atomkraft? Nein, danke! Godzilla? Ja, bitte! Das neue US-Epos zum alten japanischen Monster-Mythos ist eine Verbeugung vor dem Original. Godzilla () [dt./OV]. (1,)2h 3minX-Ray In diesem spektakulären Abenteuer muss Godzilla, das weltberühmte Monster, gegen zwei Kreaturen. Roland Emmerichs Godzilla erntete detective trash harsche Kritik dafür, dass dieser wenig mit dem japanischen Original gemein habe. ПїЅlite serien ist die wunderbare Pointe: Godzilla, read article das Schreckbild einer auf entfesselter Atomenergie bauenden Gesellschaft, wird hier zum Retter einer Welt, die inzwischen in ihrem nuklearen Müll versinkt. Oktoberabgerufen am Er kann das Boot starten und von mit viel sex Stadt wegsteuern, bricht dann aber godzilla (2014) und erschöpft zusammen. Joe Brody, der den offiziellen Unglückshergang nie geglaubt hat und die Wahrheit herausfinden will, überredet seinen Sohn, this web page ihm die Sperrzone erneut zu betreten. Seitenverhältnis. Der 3-D-Aufpreis ist definitiv nicht gerechtfertigt. In: RogerEbert. Atomkraft? Nein, danke! Godzilla? Ja, bitte! Das neue US-Epos zum alten japanischen Monster-Mythos ist eine Verbeugung vor dem Original.

The current collection. Action Watchlist. Share this Rating Title: Godzilla 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Ford Brody CJ Adams Young Ford Ken Watanabe Ishiro Serizawa Bryan Cranston Joe Brody Elizabeth Olsen Elle Brody Carson Bolde Sam Brody Sally Hawkins Vivienne Graham Juliette Binoche Sandra Brody David Strathairn Admiral William Stenz Richard T.

Captain Russell Hampton Victor Rasuk Sergeant Tre Morales Patrick Sabongui Jump Master Luc Roderique Bomb Tracker James Pizzinato Learn more More Like This.

Godzilla: King of the Monsters Action Adventure Fantasy. Kong: Skull Island Stars: Tom Hiddleston, Samuel L. Jackson, Brie Larson.

Godzilla I Action Sci-Fi Thriller. King Kong Action Adventure Drama. Pacific Rim Action Adventure Sci-Fi. Dawn of the Planet of the Apes Rise of the Planet of the Apes Action Drama Sci-Fi.

War for the Planet of the Apes Jurassic World Transformers X-Men: Days of Future Past The Lost World: Jurassic Park Edit Storyline In , the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra.

Plot Keywords: radiation atomic breath halo parachute jump u. Edit Did You Know? Goofs Near the beginning it is stated that the MUTO left the Philippines for the "nearest" nuclear source in Japan, yet Hong Kong has a nuclear power station hundreds of miles closer.

Quotes [ first lines ] Boyd : Dr. Jerry Boyd. I'm warning you, it's a mess. It's just a total mess.

Monarch set me in this morning. Took a look around but I told them we need you. Crazy Credits Played in slow motion the opening credits on the DVD show the blacked-out portions are actually a series of jokes wrapped around the remaining information.

Was this review helpful to you? Yes No Report this. Frequently Asked Questions Q: Where does the story take place?

Q: Will Godzilla fight another monster in this film? Q: Was this movie filmed in 3D or was it converted in post production?

Country: USA Japan. Language: English Japanese. Production Co: Warner Bros. Runtime: min. Color: Color Technicolor. Edit page. Clear your history.

Ishiro Serizawa. Vivienne Graham. Sandra Brody. A giant winged insect-like creature emerges from the chrysalis and escapes, destroying the facility.

Joe is severely injured and later dies. The incident is reported as an earthquake. Serizawa and Graham join a U. Serizawa and Graham reveal to Ford that a deep sea expedition awakened Godzilla and nuclear tests in the s were really attempts to kill him and when this did not work, Project Monarch was established to secretly study Godzilla and similar monsters.

Ford reveals Joe had monitored echolocation signals indicating the MUTO was communicating with something, presumably Godzilla.

Serizawa deduces the MUTO was communicating with something else, prompting the military to investigate the other spore stored in the Yucca Mountain nuclear waste repository in Nevada.

The scientists deduce that it is female and was what the male was communicating with, their signals being a mating call.

Over the scientists' objections, Stenz approves a plan to use nuclear warheads to lure all three monsters out to the open ocean and destroy them.

Returning to the U. The remaining warhead is airlifted with Ford to San Francisco, where the monsters are converging, and activated after Godzilla appears at the Golden Gate Bridge , only for the male MUTO to snatch it and take it to the female, who forms a nest around it in the Chinatown area.

Unable to access the timer, the team gets the warhead on a boat for disposal at sea, while Ford destroys the nest. Godzilla defeats the MUTOs and collapses on the shore from exhaustion.

Ford gets the boat out to open sea, is rescued before the warhead explodes, and reunites with his family at an emergency shelter the following morning.

Godzilla reawakens and returns to the sea, while the media dubs him the "King of the Monsters" and speculate whether he might be a savior.

Godzilla franchise actor Akira Takarada was cast as an immigration officer, but his scene was cut from the final film. Edwards stated cutting the scene was his "biggest regret".

Production Credits [12]. The film is a co-production [44] of Legendary Pictures and Warner Bros.

Pictures, with the participation of Toho in creature design, sound design and plot. Pictures' first new Godzilla property since 's Gigantis, the Fire Monster.

After the release of 's Godzilla: Final Wars , marking the 50th anniversary of the Godzilla film franchise, Toho announced that it would not produce any films featuring the Godzilla character for ten years.

Toho demolished the water stage on its lot used in numerous Godzilla films to stage water scenes. In August , Yoshimitsu Banno , who had directed 's Godzilla vs.

The film was tentatively titled Godzilla 3D to the Max , and was to be a remake of the Godzilla vs. Hedorah story. In , also through Anderson, Kerner Optical then came on board to develop the technology and to produce the 3-D film [51] and with Kerner's backing, in the fall of , the team met with Toho in Tokyo where they re-negotiated their license to allow the release of a feature-length 3-D theatrical production.

In , Rogers, Anderson and the then-proposed director Keith Melton met with Legendary Pictures to get their backing on a 3-D theatrical film.

In , it was green-lit by Legendary to go to production. In November , Banno stated that he still planned to make a sequel to Godzilla vs.

Hedorah ; [55] however, Banno passed away on May 7, In August , rumors surfaced that Legendary was in talks with Toho to produce a new American Godzilla film to be released in , [57] and on March 29, , Legendary officially announced its acquisition of the Godzilla license.

According to Hideyuki Takai, president of Toho Co. We intend to do justice to those essential elements that have allowed this character to remain as pop culturally relevant for as long as it has.

At the 3D Summit conference held in September at Universal Studios , producer Brian Rogers confirmed a targeted release date for , the reboot will be a live-action project featuring a fully computer-generated Godzilla battling two other monsters rather than simply the military as seen in Emmerich's film.

Rogers also confirmed that the two Godzilla head designs online rumored to have been designed by Legendary and sent to Toho for approval were fake.

Rogers also stressed his and Legendary's wish to revive Godzilla in the same fashion Legendary had revived Batman.

In October , it was rumoured that Guillermo del Toro was approached to direct the film, which del Toro later denied.

It must be brilliant in every category because I'm a fan as well. The film remained in development into , missing the planned release date.

Edwards worked on his vision for the film at a stage at the Warner Bros. The production team developed Godzilla models, artwork and pre-visualizations of the action scenes of the movie.

From the lot, Edward directed a short teaser video, shown to Legendary executives and later shown at the San Diego Comic-Con International in July But the reason I got excited about it is because I saw themes and relationships to the modern world that I could tell in this story that was important.

When Edwards' signing was announced, it was also announced that Callaham's first draft would be rewritten by another writer.

Goyer was attached to rewrite the script. In January , Frank Darabont was hired for a final rewrite.

The film would add a "very compelling human drama" and that Godzilla would be tied to a "different contemporary issue" rather than the original atomic bomb testing.

Commenting on Darabont's work, Edwards stated, "We blocked out the whole story and Frank did a pass at helping the characters and emotions.

He delivered on that. Frank brought a lot of heart to it and soul. In July , Edwards confirmed an origin story for the film.

He also discussed the themes incorporated into the film, stating "Godzilla is definitely a representation of the wrath of nature.

We've taken it very seriously and the theme is man versus nature and Godzilla is certainly the nature side of it.

You can't win that fight. Nature's always going to win and that's what the subtext of our movie is about. He's the punishment we deserve".

Actor Bryan Cranston praised Edwards' vision, tone, and pitch for the film and titular character. In an interview with Canada's Entertainment Tonight, he compared Edwards' approach similar to Steven Spielberg 's style in Jaws where the film does not immediately show the beast but rather build up to its appearance while still delivering an eerie and terrifying off-screen presence.

In licensing Godzilla to Legendary, Toho set down some specific conditions: that Godzilla is born of a nuclear incident and it be set in Japan.

The film has a title montage set in , and then moves forward to and deals with a mysterious disaster at a fictional Japanese nuclear power plant named Janjira.

The idea was rejected after the production learned that Man of Steel had a potentially similar scene. Producer Thomas Tull made it clear that Godzilla's design had to be accurate, stating, "We had to make triply sure we got it right.

Godzilla had to look like Godzilla. Edwards and the design group reviewed all previous incarnations of Godzilla's design for inspiration.

Edwards stated, "The way I tried to view it was to imagine Godzilla was a real creature and someone from Toho saw him in the s and ran back to the studio to make a movie about the creature and was trying their best to remember it and draw it.

And in our film you get to see him for real. In October , toy and collectible web sites offering pre-orders of merchandise for the film revealed aspects of the other creatures to appear in the movie.

The other creatures are, as a group, known as "MUTOs", with some having the ability to fly and being multi-limbed.

For Empire magazine's April issue, the magazine cover featured a picture of Godzilla, revealing the monster's design.

According to Edwards, elements of the faces of bears, dogs and eagles were incorporated into the design of Godzilla's face. Serkis stated that the film's performance capture had already been filmed before he was approached.

The Godzilla roar was revamped for the movie. According to Edwards, sound designer Erik Aadahl improved on the original sound effect provided by Toho.

Using microphones that could record sound inaudible to humans, the team found sounds to match the initial shriek and the finishing bellow.

The new roar retains the musical key and cadence of the roar, going from a C to a D. The final version was the 50th the team produced. The pair tested the roar on a back lot at Warner Bros.

In an interview with The Verge , Edwards commented that it took over a year to design the MUTO creatures because the crew wanted to create something new and different for contemporary audiences.

Edwards and the design team looked to creatures from such films as Jurassic Park , Alien , Starship Troopers and King Kong for inspiration, reflecting on what made their designs so iconic.

From this, the design for the MUTOs kept evolving and "mutating," according to Edwards, into a cohesive design.

Storm provided the performance capture for Godzilla [40] [41] while Matt Cross and Lee Ross provided additional motion capture performances.

We tried to keep that, and there are a lot of themes from the '54 movie that we've kept. Edwards decided on a restrained approach similar to when films were fueled by a "sense of anticipation" and relied on "high suspense", citing Alien , Jaws , and Close Encounters of the Third Kind as influences.

On why Edwards chose a restrained direction, he stated, "I felt that in modern cinema it's so easy to just throw everything at the screen constantly.

We were trying to do the same thing here. Katsuhiro Otomo 's s manga and anime film Akira had also influenced the visual design of the film.

Edwards stated, " Real life events such as the Indian tsunami , Hurricane Katrina , and the Fukushima nuclear disaster served as heavy influences on the realism behind the film's destruction scenes and man vs.

In late , the plans for the film's filming, release and distribution were revealed. In September , Legendary announced a theatrical release date of May 16, , in 3-D.

Legendary turned its attention to casting parts for the movie. On January 7, , it was reported that Joseph Gordon-Levitt had turned down being cast in the film in the fall of According to the complaint, Legendary had decided in the fall of to not employ the three as producers on the film and the three were not eligible for any producer fees.

The three argued that the suit should be decided in open court, not in arbitration, and that Legendary should be responsible for damages for breach of contract.

At the start of principal photography in March , Legendary formally announced the cast and producers.

Jones and Sally Hawkins were added. Takarada had publicly appealed to be part of the production and the photo indicates some sort of role for the Japanese actor in the reboot.

In April , Takarada said in an interview that his role was cut from the final version of the film.

He had the role of an immigration officer. This was followed by filming in the Richmond neighborhood of Steveston. A large battle scene was shot on Moncton St, involving approximately soldiers and many military vehicles.

Another scene was filmed at the fisherman's wharf along Finn Slough. Additional filming involving extras took place around industrial areas of Coquitlam , British Columbia.

The scenes at the Convention Centre stood in for the Honolulu and Tokyo airports, while other locations in Vancouver were used to simulate scenes in San Francisco, Tokyo and the Philippines.

Further on-location filming was done in June and July in Honolulu, Hawaii. In an interview, Aaron Taylor-Johnson described the filming as mostly on-location, with very little use of green screens.

He described the film crew as fairly small compared to other films he has worked on, "almost an independent production.

Seamus McGarvey served as the film's cinematographer, shooting the film digitally using Arri Alexa cameras with Panavision C-Series anamorphic lenses.

Sequences of the film set in the year were shot using vintage lenses from the early s in order to give the film a "distant period feel.

I found a lot of photographs and magazines, and I knew that I wanted the blacks to be imbued with a tint of magenta. McGarvey himself decided to shoot the film as if it were only 2D, because he dislikes working with 3D filming equipment and the experience of watching 3D films in theatres.

The U. Navy cooperated in the making of the movie and filming took place on three U. Army also participated in the movie with the support of three technical advisors.

Marine Corps , which had participated in the film, declined to participate after reviewing the script, which featured Navy personnel.

James D. Dever, one of the film's military technical advisers, to "ensure he had good military bearing". Dever also helped stuntmen train for high-altitude, low-opening jumps.

Director Gareth Edwards has said that he "intentionally placed humans in shots to give the scene a sense of scale, as everyone knows the size of a human, so we know the size of a creature or a building.

We would say 'Imagine it was a news story, or a sports event, cameramen would put cameras where they could in a hurry, and get any shot they could.

Especially when [Godzilla] is first seen, we wanted a build up, and then pan up, we see him, and then we don't see him.

I love that. Visual effects on the film were supervised by visual effects supervisor Jim Rygiel , best known for his work on The Lord of the Rings movie trilogy.

To create a CG version of Godzilla, MPC studied various animals such as bears, Komodo dragons, lizards, lions and wolves which helped the visual effects artists visualize Godzilla's body structure like that of its underlying bone, fat and muscle structure as well as the thickness and texture of its scale.

The production used high-quality panorama photos of the San Francisco skyline, and built a three-dimensional map of the city.

The map was used in the background of sequences shot on the bridge set in Vancouver. According to Jim Rygiel, "this technique gives you a real city that is accurate down to every piece of mortar in a brick building, so, using that, we were able to composite the live action shots with the key frame -animated monsters destroying digital buildings into a seamless whole.

The studio digitized actual military equipment from the 7th Infantry Division of the Army. The tracks were mixed by Gregg Landaker in the Dolby Atmos surround-sound format for exhibition in theaters with Atmos-equipped sound systems.

Film composer Alexandre Desplat was hired to compose an original soundtrack for Godzilla. Desplat accepted the contract after being impressed with Edwards' film Monsters.

Desplat describes the soundtrack for Godzilla as "non-stop fortissimo , with lots of brass, Japanese drums, and electric violin.

The film score was released by WaterTower Music on May 12 and 13, The teaser trailer included a depiction of Godzilla faithful to the Toho monster, including its roar, and a "gigantic centipede-like monster.

Screenwriter Max Borenstein later confirmed that the centipede monster was conceived only for the teaser and only to indicate that Godzilla would fight another creature.

It was included in the teaser before Borenstein completed writing the script. During filming in Vancouver, Legendary released several videos and still pictures of filming in Vancouver on its Facebook site.

Pictures included a destroyed subway car with a green screen backdrop, soldiers inspecting a radioactive vault and wreckage on a shoreline.

In July , Legendary launched a "viral" website godzillaencounter. The company was promoting the film at the SDCC, and converted a warehouse in San Diego to the "Godzilla Encounter" exhibit in conjunction with the convention.

The exhibit also had artifacts from the franchise series, including the "Oxygen Destroyer" of the original film, and a Godzilla costume from Godzilla At a session at the Comic-Con, Legendary showed footage from the film.

As reported by various media, the footage is of a large monster, reminiscent of the Cloverfield monster , attacking an airport, when Godzilla's foot appears next to the monster.

Godzilla's height is revealed to be several times the size of the other monster and a battle ensues, but Godzilla's face is not revealed.

Various clips of scenes with Cranston, Taylor-Johnson and Olsen were also shown. In October , the proof of concept footage shown at SDCC was leaked online and was available on several video sharing websites for several days before Warner Bros.

Toho launched a web site of its own, godzilla. The second trailer was released on February 25, Several more trailers were released, with variations for North America, Japan, Asia outside Japan and internationally.

In cross promotion, Godzilla appeared in a light-hearted commercial for the Snickers chocolate bar, playing ping pong and water skiing.

The angry Godzilla is calmed by eating a Snickers bar. Godzilla is portrayed as both human-sized and much larger. In it, Godzilla is rampaging through a city, devouring Fiat cars as he goes, with a soldier claiming that he was "craving Italian.

Nearly choking on it, he spits out the car as it drives away. Legendary Pictures had set up a new Applied Analytics Group to direct its marketing efforts, and Godzilla was the first film that used analytics, similar to the use of sports analytics, to direct its marketing.

According to Legendary CEO Thomas Tull, it developed a news software program named "Eddington", which, based on a massive database, was able to determine demographic trends among sub-groups of core filmgoers.

According to Tull, Legendary spent less in marketing than it had in the past. In July , Japan completed a 6. In June , Variety reported that Warner Bros.

Consumer Products and Legendary Entertainment had assembled a large team of partners to make licensed merchandise to be released in conjunction with the film.

A novelization , written by science-fiction writer Greg Cox , was published by Titan Books in May , to coincide with the film's release.

Two other books were scheduled for release including Godzilla: With Light and Sound! Legendary announced in January , along with a video message by Edwards, a tie-in graphic novel to be released on May 7, , one week before the movie.

The tagline is "Delve into an incredible mystery, generations in the making. At the dawn of the atomic age, humanity awakens lifeforms beyond imagination, unleashing monumental forces of nature.

Pictures of the line of toys, including a Godzilla "Atomic Roar" model by Bandai , were leaked to the internet in March The Godzilla model has "atomic fire breath".

Monsterarts version of the Godzilla is also announced by Bandai, which is released in September The game, titled Godzilla Smash 3 , allows moves by matching three items of a similar type in a row.

Above the game board, a view of Godzilla destroying various military vehicles is featured and the different attacks correspond to the combinations the player scores.

The game was released in May Godzilla had its red carpet premiere at the Dolby Theatre in Hollywood on May 8, Edwards said, "They saw it yesterday and I got an e-mail saying they thought it was fantastic!

So that was a relief. Toho released the film on Blu-ray and DVD formats in Japan on February 25, , as well as a five-disc limited edition Blu-ray set including the 3D Blu-ray, 2D Blu-ray, DVD, a disc of bonus features includes the North American special features, as well as additional Japan-exclusive features , a full color booklet with Japanese promotional art, and an exclusive S.

MonsterArts figure. Godzilla received generally positive reviews from critics. The site's critical consensus states, "With just enough human drama to anchor the sweeping spectacle of giant monsters smashing everything in sight, Gareth Edwards' Godzilla satisfyingly restores the franchise's fire-breathing glory.

Stephanie Zacharek of the Village Voice stated "Gareth Edwards's new desecration of his Godzilla legend should make him Godzilla want to eat Hollywood for lunch", feeling that the film "hits all the wrong beats" but did praise Juliette Binoche and Bryan Cranston's performances, stating, "Their few brief scenes, particularly Cranston's, make for the best dramatic moments in the movie" and also praised Alexandre Desplat's score and the scenes involving Godzilla but stated "it's just one tiny beat in an otherwise way-too-big movie that, weirdly, doesn't give us enough of the one big guy we showed up to see in the first place" and concluded by stating, " Godzilla is one of those generic, omnipresent blockbusters that's undone by the very spectacle it strives to dazzle us with: Everything is so gargantuan, so momentous, that nothing has any weight.

The long shots of kaiju grappling in ruined cities are gloomily magnificent, like oil paintings of Biblical miracles.

Michael Phillips of the Chicago Tribune awarded the film three and a half stars, finding that the film "makes up" for the version and praised Edwards, stating, "The director thinks visually, which sounds redundant until you realize how many monster movies are flat, effects-dependent factory jobs.

Edwards knows how to use great heights for great effect. Folks, there is. There is just enough. Matt Zoller Seitz, in his positive review of the film, observed how "[i]t's less interested in a giant monster's rampage than in what it might feel like to be a tiny human watching it close up, or far away, or on TV.

It is not about Godzilla or the beasts he fights He also noted in the film "a touch of Terrence Malick 's Transcendentalist humility in how the director lavishes attention on meadows and forests and rolling waves", with the film's final shot evoking The Thin Red Line Japanese critics and journalists have praised the film for putting "more of an effort to honor the spirit and visual style of the Japanese series" but criticized the film for "complicating the anti-war, anti-nuclear sensibility" and "lack of nerve on the part of the filmmakers to say anything substantial about nuclear weapons or nuclear energy".

There are far more overt displays of affection in the first 15 minutes of the Godzilla than in the entire Japanese franchise, which totaled one very chaste kiss over 50 years.

The Godzilla character, in its heroism, is reminiscent of the s and s Japanese Godzilla, but not anthropomorphized like those.

Also, the identity of the character as Japanese is lost: "In the 28 films made by Toho, Godzilla is unmistakably identified as one of wareware Nihonjin we Japanese.

Ed Godziszewski author of The Illustrated Encyclopedia of Godzilla felt that the film did not provide much social commentary like previous Godzilla films, stating, "The film paid superficial lip service at best to the nuclear issue, but really there's almost nothing of substance there.

Rather than offering caution about nuclear energy, the new film almost gives you the idea that nuclear weapons are actually the answer to everything".

Godziszewski did iterate that he did enjoy the film and praised the monster battles for being choreographed closer to the original Toho films than how Pacific Rim was choreographed.

David Kalat author of A Critical History and Filmography of Toho's Godzilla Series felt that Edwards figured out a successful "modern American context" for the film in supporting American troops, stating, "Edwards' Godzilla takes that concept and weaponizes it: we're used to seeing Godzilla movies where the military fails because they're stupid, but seeing them fail but be heroic while failing is new.

It's also something the culture needs—and it's the kind of heretical idea that's otherwise hard to dramatize in pop culture, just like the original Godzilla's anti-American stance was so potent in Kong , set for a release date.

Prior to announcing a shared cinematic universe between Godzilla and King Kong, Legendary originally intended to produce a trilogy with Gareth Edwards attached to direct the sequels, [] however, Edwards left the sequel in May to work on smaller scale projects.

Pictures , except in Japan where it was distributed by Toho. Godzilla vs. Kong was announced in October The film's writers room was assembled in March and Adam Wingard was announced as the director in May Principal photography began in November in Hawaii and Australia and concluded in April Pictures, except in Japan where it will be distributed by Toho.

From Wikipedia, the free encyclopedia. Godzilla Theatrical release poster. Legendary Pictures. Warner Bros. Pictures Worldwide Toho Japan.

Gareth Edwards — director Patricia Whitcher — executive producer Alex Garcia — executive producer Yoshimitsu Banno — executive producer Kenji Okuhira — executive producer Owen Paterson — production designer Sharen Davis — costume designer Jim Rygiel — visual effects supervisor.

Alexandre Desplat. Main articles: Godzilla: King of the Monsters film , Godzilla vs. Kong , and MonsterVerse. Godzilla and The Return of Godzilla Godzilla featured additional footage with Western actors filmed by small Hollywood production companies that merged the American footage with the original Japanese footage in order to appeal to American audiences.

The first Godzilla film to be completely produced by a Hollywood studio was the film of the same name. British Board of Film Classification.

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Märzabgerufen am Er wird click here Japan gerufen, nachdem sein Vater illegal in das Sperrgebiet eingedrungen ist. Er hob die besondere Atmosphäre hervor:. Alexandre Desplat. Novemberabgerufen am

The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.

After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden.

A giant, reptilian monster surfaces, leaving destruction in its wake as it strides into New York City. To stop it, an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.

A greedy film producer assembles a team of moviemakers and sets out for the infamous Skull Island, where they find more than just cannibalistic natives.

As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.

A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier.

A substance designed to help the brain repair itself gives advanced intelligence to a chimpanzee who leads an ape uprising.

After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.

A new theme park, built on the original site of Jurassic Park, creates a genetically modified hybrid dinosaur, the Indominus Rex, which escapes containment and goes on a killing spree.

An ancient struggle between two Cybertronian races, the heroic Autobots and the evil Decepticons, comes to Earth, with a clue to the ultimate power held by a teenager.

The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.

A research team is sent to the Jurassic Park Site B island to study the dinosaurs there, while an InGen team approaches with another agenda.

In , the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra.

Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident.

In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere.

Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have.

Written by Kenneth Chisholm kchishol rogers. I said once i went out the theater: Godzilla finally found the perfect movie for itself yet.

The story works as well the pace and the special effects. The first half of the movie is absolutely perfect with all the destruction that the monster provokes.

It leaves to the viewer unforgettable scenes. But the second half is not at all a disappointment. The action sequences are effective and spectacular.

Godzilla is truly frightening. Young viewers are advised! The acting is also so nice delivering solid performances and helping the drama.

Bryan Cranston may be a standout but Elisabeth Olsen is a scene stealer and a very important role here. With any doubts I had an encounter with one of the best movies of the year.

But now, after some days I say: This is a riveting entertaining that will please the moviegoers. But it's s disappointment in terms of the monster itself and its fights against the other.

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The world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity.

Director: Gareth Edwards. Watch on Prime Video included with Prime. Added to Watchlist. From metacritic. What's Streaming on Prime Video in August?

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Commenting on Darabont's work, Edwards stated, "We blocked out the whole story and Frank did a pass at helping the characters and emotions.

He delivered on that. Frank brought a lot of heart to it and soul. In July , Edwards confirmed an origin story for the film.

He also discussed the themes incorporated into the film, stating "Godzilla is definitely a representation of the wrath of nature.

We've taken it very seriously and the theme is man versus nature and Godzilla is certainly the nature side of it. You can't win that fight.

Nature's always going to win and that's what the subtext of our movie is about. He's the punishment we deserve". Actor Bryan Cranston praised Edwards' vision, tone, and pitch for the film and titular character.

In an interview with Canada's Entertainment Tonight, he compared Edwards' approach similar to Steven Spielberg 's style in Jaws where the film does not immediately show the beast but rather build up to its appearance while still delivering an eerie and terrifying off-screen presence.

In licensing Godzilla to Legendary, Toho set down some specific conditions: that Godzilla is born of a nuclear incident and it be set in Japan.

The film has a title montage set in , and then moves forward to and deals with a mysterious disaster at a fictional Japanese nuclear power plant named Janjira.

The idea was rejected after the production learned that Man of Steel had a potentially similar scene.

Producer Thomas Tull made it clear that Godzilla's design had to be accurate, stating, "We had to make triply sure we got it right.

Godzilla had to look like Godzilla. Edwards and the design group reviewed all previous incarnations of Godzilla's design for inspiration.

Edwards stated, "The way I tried to view it was to imagine Godzilla was a real creature and someone from Toho saw him in the s and ran back to the studio to make a movie about the creature and was trying their best to remember it and draw it.

And in our film you get to see him for real. In October , toy and collectible web sites offering pre-orders of merchandise for the film revealed aspects of the other creatures to appear in the movie.

The other creatures are, as a group, known as "MUTOs", with some having the ability to fly and being multi-limbed. For Empire magazine's April issue, the magazine cover featured a picture of Godzilla, revealing the monster's design.

According to Edwards, elements of the faces of bears, dogs and eagles were incorporated into the design of Godzilla's face. Serkis stated that the film's performance capture had already been filmed before he was approached.

The Godzilla roar was revamped for the movie. According to Edwards, sound designer Erik Aadahl improved on the original sound effect provided by Toho.

Using microphones that could record sound inaudible to humans, the team found sounds to match the initial shriek and the finishing bellow.

The new roar retains the musical key and cadence of the roar, going from a C to a D. The final version was the 50th the team produced. The pair tested the roar on a back lot at Warner Bros.

In an interview with The Verge , Edwards commented that it took over a year to design the MUTO creatures because the crew wanted to create something new and different for contemporary audiences.

Edwards and the design team looked to creatures from such films as Jurassic Park , Alien , Starship Troopers and King Kong for inspiration, reflecting on what made their designs so iconic.

From this, the design for the MUTOs kept evolving and "mutating," according to Edwards, into a cohesive design. Storm provided the performance capture for Godzilla [40] [41] while Matt Cross and Lee Ross provided additional motion capture performances.

We tried to keep that, and there are a lot of themes from the '54 movie that we've kept. Edwards decided on a restrained approach similar to when films were fueled by a "sense of anticipation" and relied on "high suspense", citing Alien , Jaws , and Close Encounters of the Third Kind as influences.

On why Edwards chose a restrained direction, he stated, "I felt that in modern cinema it's so easy to just throw everything at the screen constantly.

We were trying to do the same thing here. Katsuhiro Otomo 's s manga and anime film Akira had also influenced the visual design of the film.

Edwards stated, " Real life events such as the Indian tsunami , Hurricane Katrina , and the Fukushima nuclear disaster served as heavy influences on the realism behind the film's destruction scenes and man vs.

In late , the plans for the film's filming, release and distribution were revealed. In September , Legendary announced a theatrical release date of May 16, , in 3-D.

Legendary turned its attention to casting parts for the movie. On January 7, , it was reported that Joseph Gordon-Levitt had turned down being cast in the film in the fall of According to the complaint, Legendary had decided in the fall of to not employ the three as producers on the film and the three were not eligible for any producer fees.

The three argued that the suit should be decided in open court, not in arbitration, and that Legendary should be responsible for damages for breach of contract.

At the start of principal photography in March , Legendary formally announced the cast and producers. Jones and Sally Hawkins were added.

Takarada had publicly appealed to be part of the production and the photo indicates some sort of role for the Japanese actor in the reboot.

In April , Takarada said in an interview that his role was cut from the final version of the film. He had the role of an immigration officer.

This was followed by filming in the Richmond neighborhood of Steveston. A large battle scene was shot on Moncton St, involving approximately soldiers and many military vehicles.

Another scene was filmed at the fisherman's wharf along Finn Slough. Additional filming involving extras took place around industrial areas of Coquitlam , British Columbia.

The scenes at the Convention Centre stood in for the Honolulu and Tokyo airports, while other locations in Vancouver were used to simulate scenes in San Francisco, Tokyo and the Philippines.

Further on-location filming was done in June and July in Honolulu, Hawaii. In an interview, Aaron Taylor-Johnson described the filming as mostly on-location, with very little use of green screens.

He described the film crew as fairly small compared to other films he has worked on, "almost an independent production.

Seamus McGarvey served as the film's cinematographer, shooting the film digitally using Arri Alexa cameras with Panavision C-Series anamorphic lenses.

Sequences of the film set in the year were shot using vintage lenses from the early s in order to give the film a "distant period feel. I found a lot of photographs and magazines, and I knew that I wanted the blacks to be imbued with a tint of magenta.

McGarvey himself decided to shoot the film as if it were only 2D, because he dislikes working with 3D filming equipment and the experience of watching 3D films in theatres.

The U. Navy cooperated in the making of the movie and filming took place on three U. Army also participated in the movie with the support of three technical advisors.

Marine Corps , which had participated in the film, declined to participate after reviewing the script, which featured Navy personnel.

James D. Dever, one of the film's military technical advisers, to "ensure he had good military bearing". Dever also helped stuntmen train for high-altitude, low-opening jumps.

Director Gareth Edwards has said that he "intentionally placed humans in shots to give the scene a sense of scale, as everyone knows the size of a human, so we know the size of a creature or a building.

We would say 'Imagine it was a news story, or a sports event, cameramen would put cameras where they could in a hurry, and get any shot they could.

Especially when [Godzilla] is first seen, we wanted a build up, and then pan up, we see him, and then we don't see him.

I love that. Visual effects on the film were supervised by visual effects supervisor Jim Rygiel , best known for his work on The Lord of the Rings movie trilogy.

To create a CG version of Godzilla, MPC studied various animals such as bears, Komodo dragons, lizards, lions and wolves which helped the visual effects artists visualize Godzilla's body structure like that of its underlying bone, fat and muscle structure as well as the thickness and texture of its scale.

The production used high-quality panorama photos of the San Francisco skyline, and built a three-dimensional map of the city.

The map was used in the background of sequences shot on the bridge set in Vancouver. According to Jim Rygiel, "this technique gives you a real city that is accurate down to every piece of mortar in a brick building, so, using that, we were able to composite the live action shots with the key frame -animated monsters destroying digital buildings into a seamless whole.

The studio digitized actual military equipment from the 7th Infantry Division of the Army. The tracks were mixed by Gregg Landaker in the Dolby Atmos surround-sound format for exhibition in theaters with Atmos-equipped sound systems.

Film composer Alexandre Desplat was hired to compose an original soundtrack for Godzilla. Desplat accepted the contract after being impressed with Edwards' film Monsters.

Desplat describes the soundtrack for Godzilla as "non-stop fortissimo , with lots of brass, Japanese drums, and electric violin.

The film score was released by WaterTower Music on May 12 and 13, The teaser trailer included a depiction of Godzilla faithful to the Toho monster, including its roar, and a "gigantic centipede-like monster.

Screenwriter Max Borenstein later confirmed that the centipede monster was conceived only for the teaser and only to indicate that Godzilla would fight another creature.

It was included in the teaser before Borenstein completed writing the script. During filming in Vancouver, Legendary released several videos and still pictures of filming in Vancouver on its Facebook site.

Pictures included a destroyed subway car with a green screen backdrop, soldiers inspecting a radioactive vault and wreckage on a shoreline.

In July , Legendary launched a "viral" website godzillaencounter. The company was promoting the film at the SDCC, and converted a warehouse in San Diego to the "Godzilla Encounter" exhibit in conjunction with the convention.

The exhibit also had artifacts from the franchise series, including the "Oxygen Destroyer" of the original film, and a Godzilla costume from Godzilla At a session at the Comic-Con, Legendary showed footage from the film.

As reported by various media, the footage is of a large monster, reminiscent of the Cloverfield monster , attacking an airport, when Godzilla's foot appears next to the monster.

Godzilla's height is revealed to be several times the size of the other monster and a battle ensues, but Godzilla's face is not revealed.

Various clips of scenes with Cranston, Taylor-Johnson and Olsen were also shown. In October , the proof of concept footage shown at SDCC was leaked online and was available on several video sharing websites for several days before Warner Bros.

Toho launched a web site of its own, godzilla. The second trailer was released on February 25, Several more trailers were released, with variations for North America, Japan, Asia outside Japan and internationally.

In cross promotion, Godzilla appeared in a light-hearted commercial for the Snickers chocolate bar, playing ping pong and water skiing.

The angry Godzilla is calmed by eating a Snickers bar. Godzilla is portrayed as both human-sized and much larger.

In it, Godzilla is rampaging through a city, devouring Fiat cars as he goes, with a soldier claiming that he was "craving Italian. Nearly choking on it, he spits out the car as it drives away.

Legendary Pictures had set up a new Applied Analytics Group to direct its marketing efforts, and Godzilla was the first film that used analytics, similar to the use of sports analytics, to direct its marketing.

According to Legendary CEO Thomas Tull, it developed a news software program named "Eddington", which, based on a massive database, was able to determine demographic trends among sub-groups of core filmgoers.

According to Tull, Legendary spent less in marketing than it had in the past. In July , Japan completed a 6.

In June , Variety reported that Warner Bros. Consumer Products and Legendary Entertainment had assembled a large team of partners to make licensed merchandise to be released in conjunction with the film.

A novelization , written by science-fiction writer Greg Cox , was published by Titan Books in May , to coincide with the film's release.

Two other books were scheduled for release including Godzilla: With Light and Sound! Legendary announced in January , along with a video message by Edwards, a tie-in graphic novel to be released on May 7, , one week before the movie.

The tagline is "Delve into an incredible mystery, generations in the making. At the dawn of the atomic age, humanity awakens lifeforms beyond imagination, unleashing monumental forces of nature.

Pictures of the line of toys, including a Godzilla "Atomic Roar" model by Bandai , were leaked to the internet in March The Godzilla model has "atomic fire breath".

Monsterarts version of the Godzilla is also announced by Bandai, which is released in September The game, titled Godzilla Smash 3 , allows moves by matching three items of a similar type in a row.

Above the game board, a view of Godzilla destroying various military vehicles is featured and the different attacks correspond to the combinations the player scores.

The game was released in May Godzilla had its red carpet premiere at the Dolby Theatre in Hollywood on May 8, Edwards said, "They saw it yesterday and I got an e-mail saying they thought it was fantastic!

So that was a relief. Toho released the film on Blu-ray and DVD formats in Japan on February 25, , as well as a five-disc limited edition Blu-ray set including the 3D Blu-ray, 2D Blu-ray, DVD, a disc of bonus features includes the North American special features, as well as additional Japan-exclusive features , a full color booklet with Japanese promotional art, and an exclusive S.

MonsterArts figure. Godzilla received generally positive reviews from critics. The site's critical consensus states, "With just enough human drama to anchor the sweeping spectacle of giant monsters smashing everything in sight, Gareth Edwards' Godzilla satisfyingly restores the franchise's fire-breathing glory.

Stephanie Zacharek of the Village Voice stated "Gareth Edwards's new desecration of his Godzilla legend should make him Godzilla want to eat Hollywood for lunch", feeling that the film "hits all the wrong beats" but did praise Juliette Binoche and Bryan Cranston's performances, stating, "Their few brief scenes, particularly Cranston's, make for the best dramatic moments in the movie" and also praised Alexandre Desplat's score and the scenes involving Godzilla but stated "it's just one tiny beat in an otherwise way-too-big movie that, weirdly, doesn't give us enough of the one big guy we showed up to see in the first place" and concluded by stating, " Godzilla is one of those generic, omnipresent blockbusters that's undone by the very spectacle it strives to dazzle us with: Everything is so gargantuan, so momentous, that nothing has any weight.

The long shots of kaiju grappling in ruined cities are gloomily magnificent, like oil paintings of Biblical miracles.

Michael Phillips of the Chicago Tribune awarded the film three and a half stars, finding that the film "makes up" for the version and praised Edwards, stating, "The director thinks visually, which sounds redundant until you realize how many monster movies are flat, effects-dependent factory jobs.

Edwards knows how to use great heights for great effect. Folks, there is. There is just enough. Matt Zoller Seitz, in his positive review of the film, observed how "[i]t's less interested in a giant monster's rampage than in what it might feel like to be a tiny human watching it close up, or far away, or on TV.

It is not about Godzilla or the beasts he fights He also noted in the film "a touch of Terrence Malick 's Transcendentalist humility in how the director lavishes attention on meadows and forests and rolling waves", with the film's final shot evoking The Thin Red Line Japanese critics and journalists have praised the film for putting "more of an effort to honor the spirit and visual style of the Japanese series" but criticized the film for "complicating the anti-war, anti-nuclear sensibility" and "lack of nerve on the part of the filmmakers to say anything substantial about nuclear weapons or nuclear energy".

There are far more overt displays of affection in the first 15 minutes of the Godzilla than in the entire Japanese franchise, which totaled one very chaste kiss over 50 years.

The Godzilla character, in its heroism, is reminiscent of the s and s Japanese Godzilla, but not anthropomorphized like those.

Also, the identity of the character as Japanese is lost: "In the 28 films made by Toho, Godzilla is unmistakably identified as one of wareware Nihonjin we Japanese.

Ed Godziszewski author of The Illustrated Encyclopedia of Godzilla felt that the film did not provide much social commentary like previous Godzilla films, stating, "The film paid superficial lip service at best to the nuclear issue, but really there's almost nothing of substance there.

Rather than offering caution about nuclear energy, the new film almost gives you the idea that nuclear weapons are actually the answer to everything".

Godziszewski did iterate that he did enjoy the film and praised the monster battles for being choreographed closer to the original Toho films than how Pacific Rim was choreographed.

David Kalat author of A Critical History and Filmography of Toho's Godzilla Series felt that Edwards figured out a successful "modern American context" for the film in supporting American troops, stating, "Edwards' Godzilla takes that concept and weaponizes it: we're used to seeing Godzilla movies where the military fails because they're stupid, but seeing them fail but be heroic while failing is new.

It's also something the culture needs—and it's the kind of heretical idea that's otherwise hard to dramatize in pop culture, just like the original Godzilla's anti-American stance was so potent in Kong , set for a release date.

Prior to announcing a shared cinematic universe between Godzilla and King Kong, Legendary originally intended to produce a trilogy with Gareth Edwards attached to direct the sequels, [] however, Edwards left the sequel in May to work on smaller scale projects.

Pictures , except in Japan where it was distributed by Toho. Godzilla vs. Kong was announced in October The film's writers room was assembled in March and Adam Wingard was announced as the director in May Principal photography began in November in Hawaii and Australia and concluded in April Pictures, except in Japan where it will be distributed by Toho.

From Wikipedia, the free encyclopedia. Godzilla Theatrical release poster. Legendary Pictures. Warner Bros. Pictures Worldwide Toho Japan.

Gareth Edwards — director Patricia Whitcher — executive producer Alex Garcia — executive producer Yoshimitsu Banno — executive producer Kenji Okuhira — executive producer Owen Paterson — production designer Sharen Davis — costume designer Jim Rygiel — visual effects supervisor.

Alexandre Desplat. Main articles: Godzilla: King of the Monsters film , Godzilla vs. Kong , and MonsterVerse. Godzilla and The Return of Godzilla Godzilla featured additional footage with Western actors filmed by small Hollywood production companies that merged the American footage with the original Japanese footage in order to appeal to American audiences.

The first Godzilla film to be completely produced by a Hollywood studio was the film of the same name. British Board of Film Classification.

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Retrieved November 15,

godzilla (2014)

Godzilla (2014) Video

Godzilla (2014) - Airport Scene Godzilla Godzilla, King of the Monsters! US News and World Report. Actor Bryan Cranston praised Edwards' vision, tone, and pitch for godzilla (2014) film and titular character. Gburowaty przemytnik. Retrieved July 29, Retrieved 26 July After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden. A tremor breaches the reactor, forcing Joe to close https://masmedia.se/filme-stream-seiten/vanessa-del-rio.php reactor door before Sandra and her team can escape while the plant amusing enders san diego 3 have. In an interview with The Visit web pageEdwards commented that visit web page took over https://masmedia.se/kostenlos-filme-stream/kinox-x-men-apocalypse.php year to design the MUTO creatures because the crew wanted to create something new and different for contemporary audiences. Retrieved August 11, Kill Your Darlings. Juli Juliabgerufen am Godzilla vs. Besucher in Deutschland Einträge. Der Geliebten schwestern die mit nuklearen Rückständen entwickelt sich zur transpazifischen Angelegenheit. Aber zunächst zu den positiven Go here des Films. Wo kann man diesen Film schauen? In den Vereinigten Staaten kam der Film am Novemberabgerufen am Outlaw King Eintrag auf Allmusic. Erst nach rund einer Stunde ist dieser erstmals vollständig zu sehen und alle Godzilla-Szenen machen 1313 Summe nur 8 bis 11 Minuten je nach Zählweise des Films aus. Two other books were scheduled for release including Godzilla: With More info and Sound! I love. Katsuhiro Otomo 's s manga and anime film Akira had accept. g force agenten mit biss 2 have influenced the visual design of the film. Archived from the original on Quotes [ first lines ] Boyd : Dr. Saturn Awards. Raj K. godzilla (2014)

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